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1927 Are You Lonesome Tonight
www.youtube.com/watch
1925 Banana Oil Song
www.youtube.com/watch
Bye Bye Blackbird
www.youtube.com/watch
Ben Selvin - Vaughn De Leath - Honey 1927
www.youtube.com/watch
1929 with the Paul Whiteman Orch Button Up Your OVercoat
www.youtube.com/watch
Vaughn De Leath (September 26, 1894 - May 28, 1943) was a female singer who gained popularity in the 1920s, earning the sobriquets "The Original Radio Girl" and "First Lady of Radio." Although popular in the 1920s, De Leath is little known today.
De Leath was an early exponent of a style of vocalizing known as crooning. One of her hit songs, "Are You Lonesome Tonight?," recorded in 1927, achieved immortality when it became a hit for Elvis Presley in 1960.
She was born as Leonore Vonderlieth in the town of Mount Pulaski, Illinois in 1894. Her parents were George and Catherine Vonderlieth. At age 12, Leonore relocated to Los Angeles with her mother and sister, where she finished high school and studied music. While at Mills College, she began writing songs, but dropped out to pursue a singing career. She adopted the stage name "Vaughn De Leath." Her vocals ranged from soprano to deep contralto. De Leath adapted to the emerging, less restrictive jazz vocal style of the late 1910s - early 1920s.
In January 1920 inventor and radio pioneer Lee DeForest brought her to his studio in New York City's World Tower, where De Leath sang "Swanee River" in a cramped room. Most radio listeners at the time were only equipped with crystal radio, which limited audio fidelity. This performance is sometimes cited as the first live singing broadcast (although this is disputed by some historians). According to some historical accounts of this incident, having been advised that high notes sung in her natural soprano might shatter the fragile vacuum tubes of her carbon mic’s amplifier, De Leath switched to a deep contralto and in the process invented “crooning”, which became the dominant pop vocal styling for the next three decades.
By 1921, in the formative years of commercial radio, De Leath began singing at WJZ, in Newark, New Jersey (a station later known as WABC in New York City). She also performed on the New York stage in the early- to mid-1920s, but radio became her primary medium, and she made a name for herself as a radio entertainer.
Her recording career began in 1921. Over the next decade she recorded for a number of labels, including Edison, Columbia, Okeh, Gennett, Victor, and Brunswick. She occasionally recorded for major label subsidiaries under assumed names. De Leath had a highly versatile range of styles, and as material required could adapt as a serious balladeer, playful girl, vampish coquette, or vaudeville comedienne.
De Leath's recording accompanists included some of the top jazz talent of the 1920s, including cornetist Red Nichols, trombonist Miff Mole, guitarists Dick McDonough and Eddie Lang, and bandleader Paul Whiteman. She demonstrated a high level of instrumental ability on the ukulele, and occasionally accompanied herself on recordings.
In 1923, she became one of the first female executives to manage a radio station, WDT in New York City, on which she also performed. In 1928, she appeared on an experimental television broadcast and later became a special guest for the debut broadcast of Voice of Firestone Radio Hour. She also was one of the first American entertainers to broadcast to Europe via transatlantic radio transmission.
De Leath made her last recording in 1931 for Eli Oberstein's Crown label. She made her final nationwide network performances in the early 1930s. In her waning years, she made radio appearances on local New York stations, including WBEN in Buffalo.
De Leath was married twice, to Leon Geer (an artist whom she married in 1924, and from whom she was divorced in 1935), and then to Irwin Rosenbloom, a musician. Her obituary in the New York Times incorrectly stated her age at death as 42, but she was actually 48.
Prior to her death in Buffalo, New York she had had considerable financial difficulties, complicated by a drinking problem which contributed to her early death. Her ashes were buried in her childhood home of Mount Pulaski, Illinois.
In 1931, De Leath sued Kate Smith for using the "First Lady of the Radio" designation. Although Smith desisted for a time, she resumed the mantle after De Leath's death.
www.youtube.com/watch
1925 Banana Oil Song
www.youtube.com/watch
Bye Bye Blackbird
www.youtube.com/watch
Ben Selvin - Vaughn De Leath - Honey 1927
www.youtube.com/watch
1929 with the Paul Whiteman Orch Button Up Your OVercoat
www.youtube.com/watch
Vaughn De Leath (September 26, 1894 - May 28, 1943) was a female singer who gained popularity in the 1920s, earning the sobriquets "The Original Radio Girl" and "First Lady of Radio." Although popular in the 1920s, De Leath is little known today.
De Leath was an early exponent of a style of vocalizing known as crooning. One of her hit songs, "Are You Lonesome Tonight?," recorded in 1927, achieved immortality when it became a hit for Elvis Presley in 1960.
She was born as Leonore Vonderlieth in the town of Mount Pulaski, Illinois in 1894. Her parents were George and Catherine Vonderlieth. At age 12, Leonore relocated to Los Angeles with her mother and sister, where she finished high school and studied music. While at Mills College, she began writing songs, but dropped out to pursue a singing career. She adopted the stage name "Vaughn De Leath." Her vocals ranged from soprano to deep contralto. De Leath adapted to the emerging, less restrictive jazz vocal style of the late 1910s - early 1920s.
In January 1920 inventor and radio pioneer Lee DeForest brought her to his studio in New York City's World Tower, where De Leath sang "Swanee River" in a cramped room. Most radio listeners at the time were only equipped with crystal radio, which limited audio fidelity. This performance is sometimes cited as the first live singing broadcast (although this is disputed by some historians). According to some historical accounts of this incident, having been advised that high notes sung in her natural soprano might shatter the fragile vacuum tubes of her carbon mic’s amplifier, De Leath switched to a deep contralto and in the process invented “crooning”, which became the dominant pop vocal styling for the next three decades.
By 1921, in the formative years of commercial radio, De Leath began singing at WJZ, in Newark, New Jersey (a station later known as WABC in New York City). She also performed on the New York stage in the early- to mid-1920s, but radio became her primary medium, and she made a name for herself as a radio entertainer.
Her recording career began in 1921. Over the next decade she recorded for a number of labels, including Edison, Columbia, Okeh, Gennett, Victor, and Brunswick. She occasionally recorded for major label subsidiaries under assumed names. De Leath had a highly versatile range of styles, and as material required could adapt as a serious balladeer, playful girl, vampish coquette, or vaudeville comedienne.
De Leath's recording accompanists included some of the top jazz talent of the 1920s, including cornetist Red Nichols, trombonist Miff Mole, guitarists Dick McDonough and Eddie Lang, and bandleader Paul Whiteman. She demonstrated a high level of instrumental ability on the ukulele, and occasionally accompanied herself on recordings.
In 1923, she became one of the first female executives to manage a radio station, WDT in New York City, on which she also performed. In 1928, she appeared on an experimental television broadcast and later became a special guest for the debut broadcast of Voice of Firestone Radio Hour. She also was one of the first American entertainers to broadcast to Europe via transatlantic radio transmission.
De Leath made her last recording in 1931 for Eli Oberstein's Crown label. She made her final nationwide network performances in the early 1930s. In her waning years, she made radio appearances on local New York stations, including WBEN in Buffalo.
De Leath was married twice, to Leon Geer (an artist whom she married in 1924, and from whom she was divorced in 1935), and then to Irwin Rosenbloom, a musician. Her obituary in the New York Times incorrectly stated her age at death as 42, but she was actually 48.
Prior to her death in Buffalo, New York she had had considerable financial difficulties, complicated by a drinking problem which contributed to her early death. Her ashes were buried in her childhood home of Mount Pulaski, Illinois.
In 1931, De Leath sued Kate Smith for using the "First Lady of the Radio" designation. Although Smith desisted for a time, she resumed the mantle after De Leath's death.
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Re: Happy 115th Vaughn De Leath
Sun, September 27, 2009 - 9:48 AMthanks, sean
we had a few of her records when i was growing up
and i had forgotten all about her
